The MENA Canada Filmmaking Grant is a one of a kind funding stream for a MENA/SWANA-identifying filmmaker or team in Canada to help fund a short film to be presented at the annual MENA Film Festival!
The short film grant provides a single $5,000 initial or “top-up” fund for new and emerging talent with a link to the Canadian MENA/SWANA community.
Rules & Guidelines
All genres are welcome, and experimental and original portrayals of the MENA/SWANA identity and narratives are encouraged.
For any inquiries about the guidelines, eligibility or timeline of the grant, feel free to email info@menafilmfestival.com
Applications
Pre-Production
2025 MENA Film Festival
Production, Delivery and Premiere
We are super excited to announce the winner of the 2024 MENA Canada Filmmaking Grant. We received dozens of amazing applications, and this year’s jury put in overtime to come up with the finalist: “Nader’s Girl” by Omar Mouallem.
Omar is an Edmonton-based writer and filmmaker. Known for weaving together comedic human interest stories with broader social and historical themes, his work bridges literature, film, and journalism. Omar’s feature-length debut, The Lebanese Burger Mafia, premiered at Hot Docs in 2023, winning multiple awards, including Audience Choice at NorthwestFest and Best Documentary Screenplay at the Rosies. His other films, like Digging in the Dirt and Making Kayfabe, bring fresh perspectives to misunderstood places, whether by examining the mental toll of oil and gas labour or exploring the eccentric world of indie wrestling as a "gonzo journalist."
“Nader’s Girl”” is a short film adapted from Saeed Teebi's short story "Cynthia," exploring themes of internalized racism and toxic masculinity within the Canadian immigrant experience. The story follows Nader, a lonely international student from Palestine, who fabricates an imaginary girlfriend, Cynthia, to fit in with his misogynistic college roommates. But as his lie escalates, Nader finds himself emotionally entangled with the idea of Cynthia, ultimately leading him to “break up” with Cynthia, the only person who appreciated him for who he was. Through a darkly humorous lens, the film reveals the uncomfortable pressures on immigrants to conform to societal expectations of foreigners.
MENA is honoured to host Omar for the 2025 MENA Film Festival in January and screen Nader’s Girl at the following year’s festival!
This year, we are opening the grant to projects that may be in production. MENA continues to ask for the world premier at this year’s MENA Film Festival. Otherwise, deadlines as outlined in the Schedule and Timelines section above still apply.
The MENA Canda Filmmaking grant may be part of a “top-up” to a bigger budget, but feasibility and scope within the timeline above should be kept in mind. The successful applicant may also continue to seek further funding and in-kind support during the production phase.
We have left the criteria for Southwest Asia/Middle East and North Africa open, and operate based on an inclusive rather than exclusive understanding of the socio-geographic region. There are many resources online to guide you on what is included under the MENA banner. However, if you still have doubts or require guidance, you can reach out to info@menafilmfestival.com and we’re always happy to chat!
No, all applications must submit via the application form available starting July 3.
In addition to filling out the application form, we ask applicants for:
The pitch video should be no more than 1 minute and give us a good sense both of the visual style of the proposed film and the team’s ability to bring it to completion. The content can be snippets of work, teaser of the future film or introduction to the team. Whatever it is, it should display some of the storytelling acumen that will go into the eventual project. Be creative and show us what you got!
The MENA Canda Filmmaking grant may be part of a “top-up” to a bigger budget, but feasibility and scope within the timeline above should be kept in mind. The successful applicant may also continue to seek further funding and in-kind support during the production phase.
We are looking above all for the creativity of the project in tandem with the skills of the team, as well as the feasibility of the proposed project and its relevance to the MENA-Canadian context. While the project doesn’t have to speak to that identity specifically, we will be looking at how the proposed film furthers MENA identity and visibility within the larger Canadian context.
We are looking for films between 3-15 minutes, but there are no strict rules. We are open to a different range according to the story and ideas presented.
We expect a director, writer and producer. At least 2 individuals must account for these roles (ie. one person can be writer and director, but one person shouldn’t occupy all three positions.) This does not include the production crew.
As described in the grant rules and guidelines, if deemed necessary, first-time and early-career filmmakers who may be awarded the grant may be paired with a filmmaking mentor with experience in the industry and filmmaking process. This is both to ensure a timely and successful completion of the proposed project, as well as to offer the creative team access to knowledge and problem-solving resources and industry “in” that will be invaluable to their future career.
No, however, we do expect a solid story treatment. Of course, if a script is available, we would love to see it. That said, we appreciate and value as many components that showcase an advanced vision and creative direction. Above all, we are looking for you to demonstrate an ability to shoot and execute the project based on the above timelines.
We allow prospective fundees’ films to be produced outside Canada. The applicant based in Canada who applies for funding for a film shot and produced outside Canada must indicate how they will be part of the ongoing production process from pre- to post-production. As part of the application, we ask for the applicants’ and creative team’s bio, and this must demonstrate a past involvement in some aspect of the film industry. Ie. This shouldn’t be the applicants’ first introduction in the film world on behalf of the writer/director.
No. It’s absolutely free!
Sara Jade Alfaro-Dehghani is filmmaker and writer hailing from Oshawa, Ontario. She began making films in Montreal while studying at McGill University, developing her short-form work with commercial and music video projects after moving to Toronto in 2017. She directs short form commercial and music videos on the director roster at MERCHANT. Sara’s films explore unique experiences within multi-cultural families - often stemming from her upbringing with an Iranian mother and Mexican father. She frequently writes about language, gender and domestic family dynamics, within a whimsical and dramatic lens.
In addition to filmmaking, Sara is also devoted to outreach and education, and develops workshops and programming for underrepresented filmmaking communities. When she’s not filmmaking, Sara is amateur metal detecting and raising bees at the family farm.
Chilean-Palestinian Film Producer based in Vancouver. Her company Suimanga Films has represented projects in their co-production, finance, and distribution agreements in several film markets around the world. As an International Film Consultant, she has designed and planned distribution and marketing strategies for films and film institutions in Europe, Latin America, Africa, the US, and Canada.
She has served as a Consultant for Doclisboa and Bolivia Lab. She has also worked as a Digital Content Specialist for Sony Pictures Entertainment, Encore+ (Canada Media Fund) and Univision. Additionally, she has been an Evaluator for film funds in Chile, Ecuador, and IBERMEDIA, and Juror at the Uganda Film Festival. In 2022, she became an EAVE graduate, and in 2023, was part of the Berlinale Talents Programme.
She also leads Suimanga Films' international program 'Impact Production Hub' supported in 2023 by the Vancouver International Film Festival (VIFF) and serves on the board of the MENA Film Festival in Vancouver.
Matthew Broughton is a film director, writer, and programmer based in Vancouver, BC. His passion and dedication to film turned into working with VIFF, Vancouver Short Film Festival, MENA Film Festival, and Movies Move Us, which gave him the opportunity to discover and promote new cinematic voices across communities. He’s a certified film fanatic who is driven to share and create stories that impact audiences around the world.
Karen works as a freelance writer, podcast producer and show-runner.
She’s an indigenous Coptic Christian (Egyptian).
She’s living with her family on turtle island. She worked as a dentist before following her passion as a writer. Her work has been published in CBC, Globe and Mail, Today’s Parent and more. She has experience in research, marketing and working in different aspects of media.